Osnutek:Robertina Šebjanič

• Komentar: Trenutna predložitev ne zadošča kriteriju pomembnosti in smernici o referenciranju biografij živečih oseb, kar izpolnete z navajanjem zanesljivih virov. Peedložitev potrebuje tudi okrnitev bibliografije in popravo sloga besedila. A09|(pogovor) 22:42, 16. december 2023 (CET)

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Umetnica in raziskovalka Robertina Šebjanič se ukvarja s poglobljeno refleksijo človeških vplivov na (vodna) okolja ter analizo družbenopolitičnih in ekonomskih struktur, ki temeljijo na načelih rasti proizvodnje in potrošnje. Njena umetniška dela so interdisciplinarna, poetična in hkrati tesno povezana z znanostjo ter drugimi družbenimi področji.

V okviru svoje analize antropocena umetnica uporablja izraza "aquatocene" in "aquaforming" za označevanje človekovega vpliva na vodna okolja. S svojim ustvarjanjem se ukvarja tudi z raziskovanjem teoretičnih vidikov antropocena. Za svoje izjemno delo je prejela številna priznanja, med katerimi izstopajo Honorary mention Prix Ars Electronica, Starts Prize Nominacijo, Falling Wall winner, Re:Humanism in druga pomembna priznanja.

Več o umetnici na spletnem mestu: https://robertina.net/

OBJAVE STROKOVNIH ČLANKOV RAZISKOVALKE ROBERTINE ŠEBJANIČ:

Šebjanič, Robertina. "‘There are still songs to sing beyond mankind’: Sounds of a troubled world= songs for serenity." Sage journals, Social Science Information SSI, Special issue: ANTHROPOCEAN, Volume 57 Issue 3, September 2018, First Published August 2, 2018; pp. 422–431:   https://journals.sagepub.com/doi/full/10.1177/0539018418

Plastic Ocean: Art and Science Responses to Marine Pollution, Berlin, Boston: De Gruyter, 2021. Ingeborg Reichle, editor ;  With contributions by Dianna Cohen, Jennifer Wagner-Lawlor, Regine Rapp, Christian de Lutz, Mary Maggic, Robertina Šebjanič, Brandon Ballengée, Victoria Vesna, Martina R. Fröschl, Alfred Vendl, Reiner Maria Matysik, Ingeborg Reichle, Thomas Schwaha, Stephan Handschuh, María Antonia González Valerio, Rosaura Martínez Ruiz, Pinar Yoldas and MichaelSauer.  https://www.degruyter.com/document/isbn/9783110744774/html

Šebjanić, Robertina. "Aquatocene/Subaquatic Quest for Serenity." In Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition, pp. 448-449. 2017.

De Menezes, Marta, Claudia Schnugg, Annick Buread, Robertina Šebjanič, and Tatiana Kourochkina. "The veridical travel of the truly imaginary plant: curatorial approach and underlying ideas." Contemporânea-Revista do PPGART/UFSM 3, no. 6 (2020): e7-e7.

Eduardo Castillo Vinuesa, Amanda Masha Caminals, Miranda Moss, Robertina Šebjanič, “Riologia: Estrategias Empáticas en Tiempos Profundos”, Madrid June 2019

CITATI / OMEMBE UMETNIŠKEH DEL IN RAZISKAV ROBERTINE ŠEBJANIČ V STOKOVNI LITERATURI (izbor):

Wang, Chi-Mao, and Ker-Hsuan Chien. "Mapping the subaquatic animals in the Aquatocene: Offshore wind power, the materialities of the sea and animal soundscapes." Political Geography 83 (2020): 102285.

Claus, Juergen. The Ocean as a Creative Experience: Architecture, Art, and Music. CRC Press, 2023.

McGonigle, Chris. "“None of it is important or all of it is”: Steinbeck, Ricketts, Ecology, and Identity." Steinbeck Review 19, no. 2 (2022): 191-209.

Pevere, Margherita. "Vulnerability as a queer art." Technoetic Arts: A Journal of Speculative Research 20, no. 1-2 (2022): 95-110.

Hiršenfelder, I. (2022). Exercises in listening to the inaudible: About Cona institute’s programme and the Acoustic Commons network. Maska, 37(211-212), 49-63.

Roughley, Mark, and Caroline Wilkinson. "Liverpool LASER Talks: A Community “Studio-Laboratory”?." Leonardo 55, no. 1 (2022): 67-71.

Yetiskin, Ebru. "Biopolitics of “Acquired Immunity”: The War Discourse and Feminist Response-Abilities in Art, Science, and Technology During COVID-19." OMICS: A Journal of Integrative Biology 26, no. 10 (2022): 552-566.

Chwałczyk, Franciszek. "Around the anthropocene in eighty names—considering the urbanocene proposition." Sustainability 12, no. 11 (2020): 4458.

Żyniewicz, Karolina. "Contamination as collaboration: Being-with in the time of the COVID-19 pandemic." Technoetic Arts: A Journal of Speculative Research 20, no. 1-2 (2022): 141-152.

Lee, Kyungwon, Yu-Kyung Jang, Jaewoo Jung, Dong Hwan Kim, Hyun Jean Lee, and Seung Ah Lee. "EuglPollock: Rethinking Interspecies Collaboration through Art Making." In Proceedings of the 30th ACM International Conference on Multimedia, pp. 1077-1084. 2022.

Sünter, Emre. "For an echology of microbe-artworks: thinking in between art and science." (2021).

Kluszczyński, Ryszard W. "Sztuka wobec wyzwań antropocenu." Art and the Anthropocene-Selected Artistic Strategies. 2021

Kluszczyński, Ryszard W. "NEW MEDIA ART."

DUOBLIENĖ, LILIJA. "Voice, Sound and Noise: From the Pedagogy of Aesthetic to Eco-Pedagogy and Beyond." Multimodal Education: Philosophy and Practice (2021): 255.

Reichle, Ingeborg. "Toxic Plastic Politics: Rethinking Plastic Pollution through Art and Activism." In Plastic Ocean: Art and Science Responses to Marine Pollution, pp. 61-80. De Gruyter, 2021.

Antonopoulou, Alexandra, Anya Yermakova, Mark David Hosale, and Alan Macy. "Siren." (2021).

Marjanić, Suzana. "Croatian Sacred Waters. From Fairies and Healing Water in the Imaginarium to Contemporary Water/River Art." Etnološka tribina 51, no. 44 (2021): 123-143.

Francetić, Ana-Marija. "Primjer godišnjeg izvedbenog kurikuluma za treću godinu učenja i poučavanja Likovne umjetnosti u gimnazijama." PhD diss., University of Zagreb. Faculty of Humanities and Social Sciences. Department of History of Art, 2021.

Runya, Robert Mzungu, Chris McGonigle, Rory Quinn, John Howe, Jenny Collier, Clive Fox, James Dooley et al. "Examining the links between multi-frequency multibeam backscatter data and sediment grain size." Remote Sensing 13, no. 8 (2021): 1539.

Santos, Nara Cristina, and Giselle Beiguelmann. "Pandemia, arte e tecnologia: Expografias virtuais." Contemporânea-Revista do PPGART/UFSM 3, no. 6 (2020): e1-e1.

Tratnik, Polona. "Anthropocentric and Non-Anthropocentric Perspectives of Proteus Anguinus, Axolotl, Vampyroteuthis Infernalis, and their Environmental Systems." Phainomena 29, no. 112/113 (2020): 271-287.

Purg, Peter, Teena Lange, and Robertina Šebjanič. "When art gets more rigorous than science." PhD diss., Univerza v Novi Gorici, 2020.

Capucci, Pier Luigi. "L’art au-delà de l’humanisme." Archivio 18, no. 3 (2020).

Essence, Interrogating, and Richard Taruskin. "Summaries of the Articles." Of Essence and Context (2019): 371.

Tratnik, Polona. "Aesthetics of Art and Life Sciences: Collaborations and Resistance." AM Časopis za studije umetnosti i medija 20 (2019): 11-16.

Honorato, Dalila, María Antοnia González Valerio, Marta de Menezes, and Andreas Giannakoulopoulos. "TABOO TRANSGRESSION TRANSCENDENCE." (2019).

Žukauskaitė, Audronė. "Hybrids, Chimeras, Aberrant Nuptials:: New Modes of Cohabitation in Bioart." Nordic Theatre Studies 31, no. 1 (2019): 22-37.

長谷川紫穂. "「生きた媒体」 考察の試論: バイオアート作品の分析における 「環世界」 論応用の検討." 慶應義塾大学アートセンター年報/研究紀要 26 (2019): 169-176.

Ban, Gu, Guido Adler, Jakob Adlung, Charlotte Alderwick, Virgil Aldrich, Gitta Alpár, Philip Alperson et al. "Bakhtin, Mikhail (Mиxaил Бaxтин), 164 Balakirev, Mily (Mилий Бaлaкиpeв), 310 Baldoli, Cristina, 117 Banchieri, Adriano, 288." Of Essence and Context (2019): 401.

Bianchini, Samuel, and Emanuele Quinz. "Maintenance, maintenant, main tenant." La fabrique du vivant, HYX,{Centre national d’art et de culture Georges Pompidou (Paris)} (2019): 104-15.

Brugidou, Jeremie, and Clouette Fabien. "‘AnthropOcean’: Oceanic perspectives and cephalopodic imaginaries moving beyond land-centric ecologies." Social science information 57, no. 3 (2018): 359-385.

Seixas, Paulo Castro, and Nadine Lobner. "Transformational communities: a programmatic ambivalence as a learning path for the cognitive planet." J. Sustain. Dev 11 (2018): 152.

Schneider, Julia Gwendolyn. "Neue Umweltwahrnehmung." Springerin 2 (2018): 10-11.

Sòcrati, Andrea. "Il tatto e l'arte: dal Novecento a oggi." Il tatto e l'arte: dal Novecento a oggi (2018): 29-73.

Grassini, Aldo, Andrea Sòcrati, and Annalisa Trasatti. L'arte contemporanea e la scoperta dei valori della tattilità. Armando Editore, 2018.

Chardronnet, Ewen. "Becoming phototroph." Das Questões 6, no. 1 (2018).

Seixas, Paulo Castro, and Nadine Lobner. "Transformational communities: a programmatic ambivalence as a learning path for the cognitive planet." J. Sustain. Dev 11 (2018): 152.

TRATNIK, POLONA. "BIO ART FROM THE OTHER EUROPE." The Crisis in the Humanities: Transdisciplinary Solutions (2016): 183.

Hester, Helen. "(Re) producing futures without reproductive futurity: xenofeminist ecologies." The Laboratory Planet 5 (2016): 10-11.

Tratnik, Polona. "The Quest for Survival: Art with Biotechnology." International Yearbook of Aesthetics Volume 18| 2014: 205.

Magrini, Boris. "Hackteria: an example of neomodern activism." Leonardo Electronic Almanac 20, no. 1 (2014).

BELGESAY, Merve ÇAŞKURLU. "GRADUATE INSTITUTE OF SOCIAL SCIENCES." PhD diss., YEDİTEPE UNIVERSITY, 2013.